Much of the duo’s sculptural work is made from sea-washed wood, pieces shaped by salt, water, abrasion, and chance before ever reaching the studio. Touch With Eyes treats this prior life as part of the design, preserving the material’s memory rather than erasing it. Their process is slow and physical: carving, sanding, assembling, and refining through direct contact, as if each decision must respond to what the material already contains. The result sits between sculpture and utility, inviting a tactile relationship with the world it comes from. In their hands, elements gathered from shores and roadsides are transformed into objects that carry atmosphere, evoking sun and wind, minerals and soil, salt and sand, so the viewer doesn’t simply look, but feels the landscape through form.
