THEO GALLIAKIS
Theo Galliakis (b. 1994, Crete) is an architect and designer working between Greece and France. His practice spans objects, furniture, spaces, and installations, guided by a concept-driven approach that explores spirituality, material transformation, and refined simplicity. Educated in architecture at the Aristotle University of Thessaloniki, where he graduated with honors, Galliakis later completed a second Master’s degree in Geo-Design at the Design Academy Eindhoven. His work reflects a deep sensitivity to proportion, light, and material, shaped by both architectural discipline and experimental research.
Rooted in Mediterranean cultural heritage, Galliakis draws from ancient rituals, symbolic forms, and archetypal objects, reinterpreting them through a contemporary lens. His designs often function as quiet presences rather than declarative statements, inviting contemplation and slower modes of engagement. Whether working at the scale of an object or a spatial installation, his practice seeks balance between austerity and meaning, restraint and resonance.
One such exploration is the amphora, a vessel historically used in ancient Greece for storing and transporting wine or water, and at times offered as prizes during Panathenaic festivals. Beyond their utilitarian role, rare gold amphoras and kraters were presented to gods and deities as gestures of admiration, devotion, or supplication. Galliakis revisits this tradition through a contemporary “golden” Amphora, an object conceived as an offering to a modern pantheon shaped by excess and spectacle.
Crafted from stainless steel, steel, and copper, each piece is entirely unique, numbered, and accompanied by a signed certificate of authenticity. The reflective surfaces evoke both preciousness and restraint, transforming industrial materials into vessels of symbolic weight. Through this work, Galliakis proposes a subtle counterpoint to opulence: an object that carries meaning through material integrity, proportion, and silence. His practice continues to evolve at the intersection of architecture, ritual, and object-making, where material becomes a medium for introspection and presence rather than display.





