Cătălin Filip
Knotto_01
Knotto_01 is a contemporary ceramic light made from white stoneware. Its brutalist, elongated form alludes to industrial structures, amplified by an orange cable like a ratchet strap that pulls the ceramic skin taut, leaving visible creases.
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Product detail
Materials: Ceramic stoneware, glazing & fabric braided cable
Dimensions:
W x D x H: 15 x 15 X 50 cm
W x D x H: 5.9 x 5.9 x 19.7 in
Lead time
4-6 weeks

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We favor a fully bespoke delivery approach, tailored to the nature and value of each piece. Lythore supports its clients by overseeing the transport through to the final destination. All deliveries are subject to a prior online quote request, to which we respond within 24 to 48 hours. Import taxes and duties may apply depending on the destination country.
Handmade and part of a limited collection, it reflects a sculptural approach to ceramic furniture and lighting.
Cătălin Filip is a Romanian born, UK based artist and architect working primarily with clay. He creates sculptural lamps and installations shaped by gravity and the natural behavior of raw material. By bending, pulling, and stretching, he captures clay’s fluid motion, then fixes it into stone like forms. His work draws from organic distortions in nature, preserving visible traces of making and a clear architectural sense of proportion and balance.
Delivery
We favor a fully bespoke delivery approach, tailored to the nature and value of each piece. Lythore supports its clients by overseeing the transport through to the final destination. All deliveries are subject to a prior online quote request, to which we respond within 24 to 48 hours. Import taxes and duties may apply depending on the destination country.
Informations
Handmade and part of a limited collection, it reflects a sculptural approach to ceramic furniture and lighting.
Artist
Cătălin Filip is a Romanian born, UK based artist and architect working primarily with clay. He creates sculptural lamps and installations shaped by gravity and the natural behavior of raw material. By bending, pulling, and stretching, he captures clay’s fluid motion, then fixes it into stone like forms. His work draws from organic distortions in nature, preserving visible traces of making and a clear architectural sense of proportion and balance.
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